PHOTOGRAPHS FROM 1960S ARCHITECTURE MAGAZINE, PAINT MARKERS
This work utilizes optical illusions as a metaphor for difficulties dyslexics can experience processing text. It explores how one might perceive subtle movement where there is none. This series uses images of products to show different ways you might encounter text. The visual illusions drawn on top of the text create a disruption for the viewer. The use of images from a 1960s architecture magazine pays homage to the emergence of Op-Art.
FOUND OBJECTS + PHOTOGRAM
The use of light-sensitive paper to capture the negative image of detritus.
These images overlay the built environment with the natural environment to create compositional harmony and point out divisions in compatibility.